Saturday, July 14, 2012

Amazon Mp3 - Why It's Better Than iTunes For Buying Mp3 Downloads

Miss Saigon Highlights - The Complete Recording 



By Johnny Moon
A lot of people seem to think that the iTunes store is the only place where someone can purchase mp3 downloads but that's far from being true. There are actually many stores where mp3s are sold including the Amazon MP3 store which I believe to be a better option for most people.
There are a few things about the way the iTunes store is set up that really annoys me and it's those things that lead me to try out Amazon instead.
iTunes Store Negatives
  • You must use the iTunes player in order to use the iTunes store easily. I don't like this player because it's a very bulky program. I prefer to use winamp.
  • Their files are actually AAC files, not mp3 files. This can cause some compatibility issues.
  • The pricing is not very good.


Amazon Store Positives
  • You can use these mp3s with any type of player. There's no restrictions, no hoops to jump through. The system is very easy to use.
  • The files are high quality mp3 files. While iTunes has recently been increasing the quality of the files available there, Amazon has always had high quality files available.
  • The pricing is far superior. They have a huge selection of mp3 albums for just $5 a piece! And even beyond these specially priced albums, their usual prices are lower.
  • They often run specials with absurdly low prices such as the recent "99 essential pieces by Chopin for just $1.99" promotion.


Sometimes iTunes Does Have Exclusives
The only real negative to using Amazon for all mp3 downloading is that iTunes does sometimes have exclusives such as the recent cover of Pink Floyd's Dark Side of the Moon by The Flaming Lips. This album was not available anywhere else.
On the other hand, sometimes Amazon has exclusives too. All things considered, I don't think it's a difficult choice.
Amazon MP3 has a large selection of $5 MP3 Albums.
Article Source: http://EzineArticles.com/?expert=Johnny_Moon
http://EzineArticles.com/?Amazon-Mp3---Why-Its-Better-Than-iTunes-For-Buying-Mp3-Downloads&id=3514110

How to Buy MP3 Songs Online

Jekyll & Hyde (Original Broadway Cast Recording)


By JJ Max
You've heard that many people buy MP3 songs online, and maybe you're now ready to give it a try. But how exactly do you buy MP3s online? There are several ways people get MP3 music online.

You can get MP3s online in a few different ways -- there are legal and illegal methods. Some people think that MP3 music is illegal, which is not true. MP3 is just a different format of music so the MP3 file type itself is not illegal. But the origin of MP3 music was through a controversial website, which was challenged in the courts for years before the courts deemed that particular website to be illegal. Since then, that original website, Napster, has changed its policies to adhere to the law.

Today there are many legal ways you can buy MP3 albums and songs online. By shopping at reputable sources, you can ensure that you are buying your music from a legitimate, legal website. You can buy licensed MP3 music buy paying for it through a legal website - either pay per song, album, or via a monthly membership fee. The legal MP3 websites have agreements in place to pay a portion of your money to the recording artists and companies.

It just makes sense to buy MP3 music legally. Those who try to download free music through clearly illegal websites, where you do not pay any fees to get music, are taking quite a few risks. Not only do they risk stiff fines for breaking the law, they also open up their computer to adware, spyware, and security issues by using these illegal and unsecured networks. You can buy MP3s online at legit websites for very reasonable prices, and for much less than cds - so in my opinion, it's well worth the small fee to do it legally and avoid the hassle and risks.

So where can you buy legal MP3 songs and albums online?
There are many legitimate websites where you can buy legal MP3 songs and albums. You can buy just one MP3 song or a full album at Amazon. And Yahoo Music Unlimited offers unlimited music for $6 a month. Other websites may offer a regular or one-time membership fee for unlimited MP3 music downloads.

Whichever website you use to buy MP3s -- you can be listening to your favorite music within a few minutes. If you're unsure, many of the sites offer a free trial, so consider testing it out over the free trial period. For more information on the free trials and the MP3 music websites featured in this article, please visit our website.
These best MP3 song download websites are featured at  http://sosouvendmusicdownload.blogspot.com/2012/07/irving-berlin-songs-in-key-of-black.html  Buy MP3 songs and unlimited music online, and you can be listening to your favorite songs in just minutes.

Article Source: http://EzineArticles.com/?expert=JJ_Max
http://EzineArticles.com/?How-to-Buy-MP3-Songs-Online&id=843386

How to Turn Vinyl Albums Into MP3 - What You Need to Begin

Annie: The Broadway Musical 30th Anniversary Production





How to Turn Vinyl Albums Into MP3 - What You Need to Begin

By Timothy Arends

Whats the best way to convert LP music? Do you want to digitize your vinyl? That is, do you want to convert it into easy to store, easy to organize MP3 files? Maybe you want to add your music to iTunes or some other digital jukebox software. Maybe you want to use the genius feature, create playlists, play your song in any order, shuffle your music so you never have the same listening experience twice, play your music without fear of deterioration, fine songs instantly, burn them onto CDs and put them on your iPod for listening anywhere.


If so, you want to move your files from vinyl into the digital era. There are a number of ways to do this. You could repurchase all of your music -- if it's still available -- from the Amazon or the eye tunes music store, but at $.99 per song, this could get expensive. Or you could use a turntable that you may already own, plus the computer you already own, and some free audio recording software to convert the music you already own into digital format.


To digitize your music, you will need to have a little know-how, and that's what this article is all about. But it's not that hard; in fact, it's similar to making a tape recording.


Here's what you will need to get started:
* A turntable, phonograph, record player - whatever you want to call it - with a built-in preamp or a standalone preamp or receiver, if one isn't built-in
* A tape player (if you want to digitize tapes)
* Some LPs and 45s (or cassettes) to digitize
* Stereo RCA to 1/8 inch stereo mini plug cable (about 10 bucks at electronics stores)
* A computer with a sound input port, or a USB audio input device if your computer lacks one
* Audio recording software such as the open-source Audacity (free!)
* iTunes on your computer to play your music (also free!) or some other music player

Got what you need? Okay, let's get started.


Tim Arends covers all aspects of converting LPs into MP3s on his webpage at:


http://sosouvendmusicdownload.blogspot.com/2012/07/irving-berlin-songs-in-key-of-black.html
Including why you should do it, what you need to begin, how to choose a turntable or how to test it if you already have one, whether you need a preamp, how to connect a turntable to your PC, what kind of cables you need, how to use the free audio recording software Audacity, how to split your LPs into separate tracks, how to import your songs into iTunes, how to find cover art online or how to scan it if it's not available, and how to enjoy your ripped LP music in iTunes.


Article Source: http://EzineArticles.com/?expert=Timothy_Arends
http://EzineArticles.com/?How-to-Turn-Vinyl-Albums-Into-MP3---What-You-Need-to-Begin&id=3645474



Saturday, July 7, 2012

How to Play Mary Had a Little Lamb on Piano

Irving Berlin: Songs in the Key of Black

By Bill Romer
In this article, you will not only learn how to play Mary Had A Little Lamb on the piano, you will be able to play it in any key (if you want to). It's a very useful and fun exercise, if you let the concepts sink in a bit. On the other hand, if you just want to learn a quick and easy way to play the song, this article will also be for you.

OK, let's start with just the melody - we'll get to the chords in a minute. If you sing the tune to yourself - all the way through - you may notice that the very last line - "fleece was white as snow" - ends on a nice note - "snow" - that sounds very "final." That usually indicates the main key of the piece, and in this case that's true.

To simplify things, let's learn to play this song in the key of C first - that's usually going to be just the white keys. So, in the key of C, the word "snow" ends on C. Now, moving from "snow" to "Mary" of the first line of the song, you should be able to hear a jump - that's a major third. In this case, it's from C to E.
So, in the key of C, Mary Had A Little Lamb starts on E, which is the white key immediately to the right of the group of two black keys on the piano. It's best to start somewhere near the middle of the full piano keyboard - just above "middle C."
The entire song uses just 4 notes. In the key of C, those notes are C, D, E, and G. Starting on E, we have the melody:
E D C D E E E
D D D
E G G
E D C D E E E E
D D E D C
C, D and E are the white keys all next to each other, surrounding the group of two black keys. G is two white keys above E.

Now, simply play the notes above, with each note representing a syllable in the words of the song. So, "Ma - ry had" is played on E D C, and so on.

To make a nice left hand accompaniment to this song, we need just two chords: C major and G7. In the left hand, move down one octave from where you're playing the melody, and work on these chords:
C: C E G
G7: G B D F

We're going to break up these chords to play them in a rhythm for this song. We'll count the song as "one-and-two-and-three-and-four-and" to help us with the placement of the notes. In terms of the song, "Ma - ry had" lands on the "one-and-two," if you see what I mean.
So, the chords will be:
First measure (group of 4 beats):
Beat 1: C
"And" of beat 1: EG
Beat 2: G (below C)
"And" of beat 2: EG
(See how we've broken up the C major chord and simply alternate between the C and G in the bass?)
Beat 3: C
"And" of beat 3: EG
Beat 4: G
"And" of beat 4: EG
Next measure:
Beat 1: G
"And" of beat 1: DF
Beat 2: B
"And" of beat 2: DF
Beat 3: C
"And" of beat 3: EG
Beat 4: G
"And" of beat 4: EG
Next measure - repeat the first measure from above
Last measure:
Beat 1: G
"And" of beat 1: DF
Beat 2: B
"And" of beat 2: DF
Beat 3: C
"And" of beat 3: EG
Beat 4: EG (hold it)
Now, simply work on the left and right hands separately, then work on putting them together, matching up the beats that I've indicated.

If you really want to work on this, simply notice that, in terms of scale tones (numbered with 1 on the key of the scale, then 2, 3, 4...8 for the major scale), the melody can be thought of as:
3 2 1 2 3 3 3
2 2 2
3 5 5
3 2 1 2 3 3 3 3
2 2 3 2 1

And the chords used are simply the "I" chord (major chord corresponding to the key of the song) and the V7 chord (the dominant seven chord corresponding to the 5th above the key of the song). There's not enough room here to complete that part of the lesson, but it's a great place for you to start out on your own (if you like).

Get more piano keyboard chords for beginners.

Learn more about piano chords, keyboard chords, and making great sounds on the piano at http://sosouvendmusicdownload.blogspot.com/

Article Source: http://EzineArticles.com/?expert=Bill_Romer
http://EzineArticles.com/?How-to-Play-Mary-Had-a-Little-Lamb-on-Piano&id=6256694
Click to>>>>>Broadway & Vocalists in MP3 Albums

Dancing on Broadway

In The Heights (Original Cast Recording)

In The Heights (Original Cast Recording)


By Jon E Jorgenson


I was having lunch with one of my best friends the other day and he said to me, "Jon, I wish I was more like you." This was not something that I was used to hearing so I asked him what he meant. He said, "I wish I took my dreams more seriously." This intrigued me so I asked him to elaborate, and he began to tell me that when he was little, he dreamed of dancing on Broadway. He was a dancer. And after going to school for dance and spending some time in New York, he wasn't getting any jobs, so he had stopped believing in his dream. He had stopped taking his desire seriously. He was now struggling with whether to give up his dream and find a nine to five, or to continue pursuing his passions and talents. In that moment, I had a clear answer for him.

Too many people in our society today die with their dreams and talents rotting away inside of them. It has risen to the point where one could call it an epidemic. We have lost our desire to live a life that believes in dreams and the possibility to make them reality. We have stopped taking our dreams seriously.

We live in a culture that is supposedly, 'Do it yourself'. Our country was founded on the idea of people who had a fantasy of a better life, so they would pick themselves up by their bootstraps and make that better life happen. But this so-called 'American dream' seems to have died away. So many people dream of greatness when they're younger, only to one day 'grow up' and realize that their dreams are foolish or unrealistic, so they commit themselves to the mindless low-level corporate scene for the rest of their lives in order to make ends meet. Why? Why do we do this?

Erwin McManus in his book Chasing Daylight says this about our dreams...
"There is a voice screaming inside my head, 'Don't sleep through your dreams!' Ever heard that voice? It calls you like a temptress to abandon the monotony of life and to begin an adventure. It threatens to leave you in the mundane if you refuse to risk all that you have for all that could be. If ignored, the voice dims to silent."

The seductive voice of dream led living is dimming so fast in our culture that most people can barely hear even a whisper anymore. Solomon in the book of Ecclesiastes says that there is nothing new under the sun, and we are proving him right if we continue to allow our dreams to die instead of taking a risk to see them come true.

But now the question is, how? How do we fight this dream genocide? The answer is simple. Create. Create, create, create. In a culture where a multi-billion dollar corporation can be built and maintained off of a cellphone we have every facility we need in order to make any dream a reality. The question is, are you willing to take the risk?
Risk-takers are a dying breed in our culture. And by that I mean the good kind of risk taking, not the breaking the law and things of that nature. Those kinds of risk-takers are flourishing. The good kind of risk-takers who take their dreams by the horns and make them happen, these risk-takers are a dying breed. And once they become extinct, then the next step is for dreamers to become extinct. Do not let this happen. Create fellow dreamers, create. click to website >>>Broadway & Vocalists in MP3 Albums

Our society needs dreamers and risk-takers who desire to create a world where creativity flourishes and divine inspiration is morphed into earth-shaking vision. Let us begin to set our dreams free in creativity, so that one day, we can all dance on Broadway.
Jon Jorgenson


Article Source: http://EzineArticles.com/?expert=Jon_E_Jorgenson
http://EzineArticles.com/?Dancing-on-Broadway&id=6506592


Friday, June 29, 2012

So You Want to Be a Singer Part 1

 

  Mamma Mia! The Movie Soundtrack So You Want to Be a Singer Part 1

By Talonda Thomas

To a singer, there are so many important factors that determine your career in music. Growing up, I believed that there was only one avenue to singing. That path was called stardom. Unfortunately, most singers will never become famous nor even have their voices heard in public. The most extraordinary voices are known to be the ones that are behind the scenes. 

 The real question is what type of singer are you? Are you the singer who performs in a choir at church or at school? Are you aspiring to sing on Broadway, sings classically in major concert halls, in a band on a late night show, or even a singer for commercial jingles? There are places in the world for all singers. Unfortunately, most singers belong in a karaoke bar.

What now? If someone tells you that you have no hope as a singer, do you melt down and never sing again? If you get turned down from American Idol, does that mean you have no singing capabilities? The answer is maybe. Some people are seeking a professional singing career without taking the baby steps that teach them to walk in greatness. Before you do anything in life, you must remember STEPS. Following the steps in any process require patience and understanding. You must first realize that nothing comes overnight. Most great singers did not learn how to sing overnight.

You must take the first step of admitting that you are probably not a fantastic singer. It’s almost like being in AA meeting, or any self help group for that matter. Recognize that there could be a problem. Majority of the time, we can fix our vocals habits and weaknesses. It is almost impossible to find the perfect singer. There are the very few gifted, and the very many who work hard to train their voices.

The next step after realizing that you may need to perfect some things vocally (as we all do), is to find a vocal coach or voice teacher. Some people ask if there is really a point in even taking lessons. What can they teach me that I haven’t learned from watching music videos and listening to the radio? The truth is that once you believe that you don’t need voice lessons, you have already taken 3 steps back.

1. You now believe that you are too good for lessons.
2. You do not think that you need improvements.
3. Even if you receive useful information from a voice teacher, you may not take it into consideration because you don’t believe that what they are teaching is useful.

Get over it! If you want to make it in any aspect of the singing business, criticism is the one thing that you must learn to accept. The reason why many singers get kicked off of singing competitions, don’t make it through auditions, and do not improve, is because they have friends and family willing to lie to them, telling them that their voices are amazing. 

 Something that you must remember, is that it is important to forget the family comments. You are working with the big dogs now. Our families love us and that sometimes may make them bias. I would pay a voice teacher just to tell me the truth about my talent!

The Voice Teacher
He or she can be your worse enemy or your best friend. They can be scary, and sometimes seem monstrous in their criticisms. They will either be your best friend or the reason you quit singing. Understand- Your job is to hunt for the right teacher. We choose friends in life who we get along with. Our personalities must match.

 Though you may be frightened sometimes of what a voice teacher might say, it is important to find a voice teacher that knows how to say it. Some people in the world our overly sensitive, but especially about their passion. We don’t want people to tell us that we are inadequate, or that something sounds like crap. We sometimes just want someone to lie to us, and tell us that we can go on living in a fantasy bubble that protects us from people who don’t like our singing. Well don’t worry! There are plenty of high paid voice teachers who will do that for you! We call them con-artists!

It should not be your goal to find someone overly friendly, who likes to chat a lot with you and keeps you feeling as ease. Your goal is to find a professional teacher, who takes their time and students very seriously. You do not want to be at ease all of the time. It is just like exercising. You must work yourself out hard to grow. You should find a teacher who will always challenge you in a supportive way. A healthy vocal teacher- student relationship, is the key to a healthy singer-fan relationship.

The first step to finding a voice teacher is to know what type of voice student that you are. If you are into singing Italian arias, you do not want to end up with a teacher who gives the best contemporary voice lessons for mainstream singers. This type of teacher is usually geared towards professional radio, television, and well known singers. If you are trying to become a pop star, you might want to go with that type of teacher.

The Contemporary Voice Teacher
This teacher will give you the basic information that you need on stage presence-how to keep your audience and choose repertoire. This teacher is great for a musician who has experience singing, but definitely not for beginners. You should never try and make a living out of your hobby unless you are willing to develop it. Developing your craft in singing, would mean understanding how to read it, hear it, and sing it.

 There are many steps and approaches that need to be used, in order to teach you the techniques of singing. You do not want to end up with a teacher who will not give you techniques and that it mostly giving you suggestions on how to sing. There are indeed some great teachers who will give you the tools of how to be a good performer. These are typically called vocal coaches. Be careful that these teachers are helping you to be able to sing, and not just perform well. Never believe anyone who tells you that you don’t have to be a good singer to be a professional singer. This person is setting you up to never increase your singing ability. It is not okay to be a mediocre singer and settle for that. You must be willing to work to develop your voice.

The Classical approach
The teacher that is most recommended, will be the classical voice teacher. Classical music may not represent what type of a musician you are, but it will teach you the skills that you need to sing any type of music. The same techniques used in classical music, are to be used in contemporary music with modification. In fact, most classical teachers will also teach Jazz and other contemporary styles with a classical technique. The classical teacher will typically be giving you lessons in intonation, diction, vowel placement, breath support, and choosing repertoire that is right for you. Your repertoire is the list of songs that you sing. If at the very least a teacher is not offering you these services, then it’s time to find another teacher.

The Competitive Comparison
A vocal coach is willing to work with you in a less conventional manner sometimes. Vocal coaches are more often to attend studio sessions, and aid in musical productions than a voice teacher. A typical voice teacher will spend their time in a private setting, teaching a student to understand their voice.

 During rehearsals, a vocal coach can aid a singer or actor in developing audibility with or without amplification as dictated by the style or concept of the production. Moving from the rehearsal space into the theatre, the director may need to have an unbiased ear and the actors may need assistance or techniques to help adjust to the new acoustics.

 During technical rehearsals, the vocal coach can help with the balance of the production’s aural elements; working as a part of the design team, the coach can bring insight into the relationships between sound, lights, set and costume which enhance audibility.

Sometimes the best steps to learning how to sing are to take private voice lessons giving an in depth understanding of the correct way to use your voice, and then moving on to a coach that can help you perfect your performance. You may even do both at the same time-but never settle on not having a teacher that will train your voice.

Online Voice Lessons?
There is a new phenomenon called the internet! Have you heard of it? Well some think that it is fantastic and others feel that some people are going too far online. There is a fairly new idea about teaching voice lessons online. You will often see advertisements for online voice lessons and lessons over the phone.

 While this may be a nice idea for making extra cash, it is not a good idea for voice students. If you are looking for some entertainment and not to become a serious vocalists, you will really enjoy the online and over the phone experience.

Always remember this- there is nothing that you can learn as a professional singer online or on the phone. A teacher must be able to see you in order to see what things physically need to be corrected. Do not fall a victim to high priced vocal coaches online that say that you will be singing wonderful within a few hours.

 There is no way! It takes great time to be great. Do not fall for coaches saying that they will increase your vocal range in a short period of time. It takes awhile to really increase the range of the human voice. I went on one website, and a coach even had the nerve to advertise that he would have you singing five octaves.

 This would be the equivalent of saying that I can run from New York to California by this evening. It is not humanly possible. Those types of Coaches are uneducated, highly motivated scam artists. Keep you head up high and dig deep during your search. Do not settle for “the next” best thing.
Payment and Performance

There is no way that you are supposed to be doing all of the work in a voice lesson. Why else would you be paying for a teacher? It is expensive to learn a new instrument. You should at least get you moneys worth by having a well equipped teacher. Your voice teacher should have many necessary things.

These include:
1. An extensive understanding of what they are teaching. It is definitely okay to ask a teacher where they received their training. Find out what colleges they attended and make sure that the reason that they are not teaching in a school district or college, is not because they are under qualified. You have the right to know how much knowledge your teacher has.


2. The teacher should own a piano.How else does a student learn how to follow pitch if it is not being played on an instrument? The teacher must have the skills necessary to teach you how to sing in tune, and with an instrument. DO NOT settle for a teacher who tells you that you must pay and bring your own accompanist. This often means that they didn’t take the time to learn in school how to play a basic song on the piano (which all music colleges require music students to learn). Do not end up paying high costs for a teacher as well as paying a person to play the piano during your lessons.


3. The ability to teach- professionally
Do not settle for the teacher who cancels frequently, shows up late, and waste time talking on the phone to their sister during your lesson. That is your time and make sure that you get every minute of the time that you are due. By the same token, always be on time to your lessons.
4. A reasonable payment schedule and price

Teachers obviously vary in their prices for lessons. Depending on your location, stage in your musical studies, and the quality of your teacher the prices can go anywhere from $25- $150 per hour. Most lessons for voice are between 45 minutes and an hour.

 A voice doesn’t need to be worked for much longer than that each lesson. In paying a private teacher, the rule of thumb is that you will pay approximately 30 dollars for the first half an hour and one dollar a minute after that. Some teachers will offer payment plans but most expect their fees up front. Be expected to pay a fee for standing up a teacher if you do not cancel in time. You are their source of income. Imagine if your check didn’t arrive for as much as you had hoped it to be this week.

Below you will find a list of resources that might help you find a voice teacher. Remember, finding a teacher can be as easy as talking to local music students and parents. Always feel free to call local colleges and Universities. Sometimes the best music teachers in an area are teaching college music students how to sing.

 Talonda Thomas is the owner of the New York Musician Center, a renowned music school for gifted music students. Talonda is a vocalist, author, and voice teacher that has performed with and taught many famous performers. 
Article Source: http://EzineArticles.com/?expert=Talonda_Thomas
http://EzineArticles.com/?So-You-Want-to-Be-a-Singer--Part-1&id=671562
Bestseller in Broadways & Vocalists


Linda Eder Debuts "Now"

Linda Eder Debuts "Now"  

By Emily Cary

Few vocalists are more admired than Linda Eder. Inspired as a child by Judy Garland, Barbra Streisand and opera singer Eileen Farrell, she began performing cross-country, then spent time as a lounge singer until a 12-week win on the television show "Star Search" beckoned her to Broadway. For her starring role in Jekyll & Hyde, she won the Theater World Award for Best Actress in a Musical, as well as Drama Desk and Outer Critics Circle nominations.

Fourteen solo albums later, she introduces "Now," her latest CD. All the songs were composed by Frank Wildhorn, her former husband, who writes with her artistry in mind. The styles range from beautiful, emotional Broadway ballads to big band pop numbers.

The intimate, thought-provoking lyrics were crafted by several of Wildhorn's regular collaborators, including Leslie Bricusse, Don Black and Maury Yeston. Although most of the songs are new; several from past Wildhorn's musicals fit nicely into the mix. They include "No Finer Man" from Cyrano de Bergerac, "The Heat of the Night" from Waiting for the Moon and "Mad Hatter" from Wonderland.

Eder used to choose songs that are more melody-based, but confesses that today she looks to lyrics that are intelligent and meaningful. The lyrics of "No Finer Man" touch her deeply because they remind her of hr father, a wonderful role model. She also loves the simplicity of 'Ordinary People' and the drama of 'What's Never Been Done Before'

Having heard Wilder talk about his show Wonderland, she was familiar with the song 'Mad Hatter' and liked it a lot. She chose "Heat of the Night" for its big band swing type that suits her naturally. She works thoughtfully. After Wilder has composed a melody, he gives it to her and they talk about it. When he next chooses a lyricist, all three work back and forth until it seems right.

Eder is very selective about her engagements. At this point in her life, she limits them to weekends and relaxes on her 80-acre horse farm during the week to be a full-time mom to her son, now 12. Wherever she performs, such as her recent gigs with her friend and frequent colleague Michael Feinstein at his cabaret in New York's Loews Regency, her fans arrive in droves to partake of her lush voice and dramatic presentations. They are so devoted that she produces an official fan newsletter called The Voice. The June issue contained a lyrics guide to "Now" that they can follow as they sing along with Linda's recording.

Like Feinstein, she has always gravitated to the American songbook standards, but happily takes chances with pop, country and jazz. "Now" takes her in a new direction without forfeiting the full tones and flexible instrument that are her signature.

Emily Cary is a prize-winning teacher and novelist whose articles about entertainers appear regularly in the DC Examiner. She is a genealogist, an avid traveler, and a researcher who incorporates landscapes, cultures and the power of music in her books and articles.

Article Source: http://EzineArticles.com/?expert=Emily_Cary
http://EzineArticles.com/?Linda-Eder-Debuts-Now&id=6645335
Hot New Releases in Broadway & Vocalists